projects.

Foulard

It was 2014 when, as a mosaicist, I began to question the place that mosaic art might still hold within contemporary interior design.

For centuries, mosaic served as both a decorative and a narrative medium: it did more than simply embellish floors and walls—it conveyed the role, culture, and identity of those who commissioned it. In recent decades, however, it has often been reduced to a mere surface covering, losing some of its expressive power.
This gave rise to the need to restore it to a new function, one in tune with the present day.
Foulard is the result of this exploration. The mosaic work breaks free from two-dimensionality to become a sculptural presence. The near-monochromatic material, the shape and size of the *tesserae*, and the movement of the surface combine to create an essential yet unexpected balance.
The marble sheds its visual weight. It lifts, folds, and seems to become light.
It becomes Foulard.